Rebecca (1940)

Rebecca is a film about a young girl who meets a rich widower who falls in love with her while they're both in France, and then takes her home with him. When they get there, the young girl discovers that the late Mrs. De Winter, the man's first wife, is far from forgotten, and haunts everything and everyone at the great estate she is now the mistress of.

The new Mrs. De Winter is a timid girl and, after her whirlwind romance, is quite unprepared for the aristocratic life that she's signed on for. She can't quite seem to get used to the servants and the large house and the routine of a 'great lady', or at least can't do it in the way the late Mrs. De Winter, Rebecca, did it. In fact, she's bombarded with traces of Rebecca from the moment she first walks into the manor. Rebecca's initials are embroidered on everything, and the housekeeper, who seemed to have had a very strong attachment to Rebecca, always looks at her with a stern, almost disapproving gaze as she directs her in following Rebecca's footsteps. Her new husband, Maxim, also seems very distant, increasingly so as the pair get to know each other better. She feels like everyone is comparing her to the beautiful, intelligent, genteel Rebecca, and are finding her sadly lacking. What exactly are the details surrounding poor Rebecca's death? Will the new mistress ever find happiness in her new home, or win the love of her new husband? Will the memory of Rebecca haunt her and every other person in the house for eternity? Who knows!!

This was an amazing film. It was two hours long and I was enthralled from the get go. The acting was really well done. Our protagonist emotes such a nervous energy from the beginning of the film, and it morphs wonderfully into a stronger self-assuredness as the film nears its end and as she grows more confident in who she in and how she fits in to her situation. The way Rebecca was portrayed was also very well done. Even though we never once see her image nor are told directly or in great detail about her life, we are subtly made to know her character and traces of her are in almost every scene, and yet not enough to satisfy us. Just enough information about her is provided so as to ensure that the viewer is aware of her distinct importance and impact, but not enough to know in what regard, sparking wild curiosity. The cinematography was also very well done. At one point in the story as Mr. De Winters is reminiscing about Rebecca, the camera is aimed at a couch as he remembers the situation, and then it moves as though Rebecca is there and the camera is following her actions, but there's no one there. You can actually get into Maxim's mind's eye as he remembers, and are forced to imagine the memory he's sharing. Usually that kind of experience is reserved for books, or even radio, as flashbacks are typically shown in film leaving little to the imagination. Everything about Rebecca had to be imagined by the audience, which is what I think makes this film so special. It crosses a threshold in that respect and is truly a piece of art. It makes film not only something to idly watch, but something you can actually interact with and can put your own imagination to work. Brilliant.

This is a wonderful film full of suspense, romance, and mystery. I highly recommend it.

The Castle of Cagliostro (1979)

This is a movie about two thieves who target an old and wealthy castle for their next gig where they think a counterfeit money operation is happening.

The main character is named Lupin, a charismatic, clever master thief with almost as many tricks up his sleeves as batman. Lupin takes his partner to the Duchy or Cagliostro where the rumoured counterfeit bills are supposedly being made and meets Princess Clarisse. When Lupin first meets her, Clarisse is in something of a predicament and is trying to escape a group of men. Lupin is oddly drawn to her and bumps into her again later, discovering that she is being forced to marry a count. As it turns out, the count is also at the center of the whole counterfeit operation. In addition to the counterfeits, there is also rumoured to be a hidden treasure somewhere in the castle of Cagliostro, a treasure that may be tied to matching rings both the count and Clarissa wear, and the count wants dearly to find it. Lupin gets into more and more trouble with the count as he tries both liberate the princess and wrest the mysterious treasure from his power, after he finds it of course. In addition to all this, there is a police officer on Lupin's tail, hoping to catch him and throw him into jail for all the past offenses he's committed.

I first heard of this movie a while back, but delayed watching it. It was directed by Hayao Miyazaki before Studio Ghibli came together, so I knew there was a good chance the story would be good, but the animation style really isn't my favourite, and the first five minutes didn't really grab me. Fortunately, the story is  done well enough that I was able to look past the animation style and appreciate the story. Once the plot gets going it really draws you in. It's intricate, but fun. There's mystery, suspense, action, and just a hint of romance. A hidden gem, don't pay much attention to the packaging, this one is worthy of a watch. The dubbed version is currently on Youtube.

The Adventures of Tin Tin (2011)

The story opens with Tin Tin at a bazaar and he happens to spot and purchase an old model ship. Soon after he does so, two strange gentlemen approach him, one offering to buy the ship, but he disregards them both. Instead he becomes more interested in the ship itself and begin to research the reason behind why it seems to be so sought after. The ship has a clue on it, which falls out when a cat knocks it over, and the previous would-be-purchaser has stolen the ship from Tin Tin in hopes of obtaining this clue. Tin Tin is then caught up in a tumultuous adventure/ mystery involving an old sea-captain and this mysterious man who seems so keen on obtaining this clue.

I've been into the comics and haven't seen an episode of the tv show since it was on tv, so I probably wouldn't consider myself a Tin Tin fan, but I did enjoy this film. First off the animation is better than anything I've seen yet. To an untrained eye, this film might look like a live action, if it weren't for the some of the mispositioned features of course, but that ties in with how the original characters were drawn. Some of the expressions look really life-like and the backgrounds are really well done. The good thing about animation in general is that it allows for anything to happen. Since the creators aren't limited to real life and budget restrictions, there are no limits. The good thing about this type of animation is that it's so close to live action, and it was really effective in this movie because while a live action version would have catered to the true fans, who are all grown up now and would probably appreciate live action more than cartoons. It also is great for this kind of movie because it would have been really expensive otherwise... what with all of the things they destroyed... and the crane fight.

It was high action and high adventure. Tin Tin is a clever protagonist who uses his head to get out of scrapes, of which he gets into plenty. It's been a while since I've seen a movie like this in theaters. It's worth the watch.

Goth by Otsuichi

I really enjoyed this manga, it's one of my favourites. It has something of a morbid story line, focused around various cases of murder... but I wouldn't say it's primarily a murder mystery. There is definitely that aspect to the story, but because the main characters react as they do to these murders.. well lets say that the death helps to set the mood of the story more than drive plot (at the beginning of the story anyways). Both main characters have some connection to an obsession to death and are drawn to various morbid activity throughout the story. There is only one or two really graphic pictures, for the most part it's just the concepts that are kind of gruesome, and because of that the subject matter isn't as repulsive as it would be if the story was all guts and gore. It's more intriguing that repulsive, and in a dark kind of way you always want to know what happens next.
 
Something else that's kind of interesting about this story is how the character relationships are set up. I'll start of by saying in no way is this a romance... it's the opposite, but the way in which the characters relate to each other in conjunction with how the story progresses is reminiscent of a romance. The two main characters are a boy and a girl, the story is mostly narrated by the boy though, the girl always seems distant in this sense, as if we're watching her. Even the part where the girl is telling us about her past we see her through her eyes as something foreign... so we never really get into her head.
 
The boy is obsessed with death though. He was first drawn to the girl because he wanted to kill her (or wanted her hands), and for the rest of the story the girl and boy are what one could consider as friendship. Throughout the story though he's interested in her death, not plotting it per say, but interested in the possibility. The girl always seems to attract people who want to kill her and the boy always shows up, and at one part fights someone because he wants to be the one to kill her. It is kind of like a romance in that the boy is so obsessed with the girl, or the part of the story the readers are shown he is anyway... but just to restate, this isn't a romance.
 
The art is pretty nice and goes with the over all mood. I'm glad it's getting published in English.